You have already recorded the content. We cut it into short clips, put it in front of the people scrolling right now, and — if you want it that way — you pay only for the views actually delivered.
Orion Digital Media Ltd · registered in England & Wales, company no. 17362833
Most people want one of two things: someone to take the whole job off their hands, or the biggest possible number of eyeballs for a fixed budget. We do both, and we will tell you plainly which one suits you.
You send the video — any video. We do everything after that — and you get a set number of finished, captioned, posted clips every week or fortnight.
You set a budget. An army of independent clippers cuts your content and posts it across hundreds of their own accounts. They are paid per thousand views — so the budget only leaves the table when views arrive.
A YouTube video, a podcast, a film, a talk, raw footage, a whole back catalogue. Any video you own the rights to.
What to clip, what to say, which platforms, what the rate per thousand views is, and what gets rejected.
Cut and posted — by our team on Line A, or by hundreds of clippers on Line B. Usually inside 48 hours of going live.
Every approved clip, every view count, in one place. On Line B the spend stops the moment the budget is used.
Before we ran campaigns, we worked them. Our team has cut, captioned and submitted clips inside the official clipping programmes of some of the biggest launches running — to their briefs, their compliance rules and their review queues.
First-look clips cut from Activision's official footage bank and submitted inside their campaign — logo overlays, mandated captions, #Ad disclosure, the lot.
Stand-up specials clipped to the comedian's official campaign brief — punchline-first cuts, mute-readable captions, platform-exact specs.
A full-length AI feature film clipped under a strict compliance spec — watermarking, tagging and review rules followed to the letter.
Our studio publishes a daily news show plus a dozen shorts across our own channels — the capacity is proven before your job ever arrives.
to turn a 23-minute talk into three finished, captioned vertical clips. Measured, not marketing.
written natively, voiced and captioned — not translated English.
finished clips our studio already ships for our own channels, every day of the week.
of clips checked by a person before they ship. Nothing goes out on an algorithm's say-so.
You'll notice there are no client logos on this page. That's because we don't invent them — the credits above are campaign work, and the free video below is how we earn the first logo. It could be yours.
People who have tried this before tell us the same three things: the view numbers could not be checked, the clips disappeared the day the budget ran out, and they ended up personally refereeing a crowd of strangers who had never read the brief.
All three are the same problem — nobody was accountable. That is the job we take.
One brief. One team. One invoice. One place where you can see every clip that went out and what it did.
Campaign work (Line B) is quoted on your budget — our fee is 30% of it. Managed clipping is a flat monthly figure, and it does not move.
We take one video you have already published and give it the full treatment. Credited against your first month if you carry on.
Book the Pilot →A fortnightly show, or clips-only from a back catalogue. Cut, captioned, covered and posted.
A weekly show, published across every platform you want to be on. Works out cheaper per video than the pilot.
Several shows, a whole roster, or a label. Quoted properly once we know the volume.
No gambling, no casinos, no crypto, no trading schemes — whatever the budget. UK law puts the responsibility for those promotions on the agency that organises them, and we are not putting our clients, our clippers or our company anywhere near that.
Not a slide deck, not a proposal — three finished, captioned, vertical clips from something you have already published, made the way we would make them every week. Watch them, and then decide whether you want the rest. If you don't, keep the clips anyway.
Clippers are paid a set rate for every 1,000 views their clip earns — so a clip that goes nowhere costs almost nothing, and a clip that takes off is worth paying for. You agree the rate before the campaign opens, and the budget is a hard ceiling: when it is used, the campaign closes. You are never billed more than the budget you set.
On managed clipping, everything is posted to your own accounts and you keep every login and every follower — if you ever stop working with us, nothing walks out of the door. On campaigns, clippers post from their own accounts, which is the whole point: your content lands in front of audiences that are not already yours.
Every submission is reviewed before it is approved, and payouts run on tracked view counts, not on anyone's word. Clips that ignore the brief are rejected and are not paid. We would rather reject work than hand you a number you cannot trust.
This is a real problem in this industry and we write against it in the contract. On managed clipping the posts are on your accounts, so they stay. On campaigns, we agree a minimum period the clips must stay up as a condition of payment.
We will give you an honest expectation for your budget, your niche and your footage before you spend anything — and we will tell you if we think clipping is the wrong tool for what you want. What we will not do is promise you a number. Anyone who does is guessing.
Anything with a person talking or something happening: podcasts, interviews, talks, sermons, lectures, trailers, gameplay, live shows. Slide decks and screen-shares are the weakest, and we will say so rather than take the work and disappoint you.
Tell us what you have and what you want people to do after they have watched it. We will tell you what we would run, what it costs, and what to expect.